[Image: worm waiting for to be interrogated by Lady Lydia McLane]

Interrogation

Getting someone to confess is not a simple task, but Lady Lydia is a capable psychological manipulator. No two interrogations are alike. Lady Lydia crafts each to the subject’s needs in order to elicit the most useful information. She will build a rapport, exploit weaknesses, and use unapproved tactics to make the subject talk. The subject will experience contrasting extremes of dominance and submission, control and dependence, and the maximization and minimization of consequences. Lady Lydia can pull information from the most unwilling of subjects.

Her psychological manipulation begins before Lady Lydia even opens her mouth. The scene will be designed to maximize the suspect’s discomfort and sense of powerlessness from the moment he steps inside. The subject will have a sense of exposure, unfamiliarity and isolation, heightening the suspect’s “get me out of here” sensation throughout the interrogation.

Lady Lydia will use Reid techniques of confrontation, theme development, stopping denials, overcoming objections, getting the subject’s attention, loosening the subject’s resolve, offering alternatives, bringing the subject to a confession, and the full confession. Lady Lydia does use techniques not provided for in the manual Criminal Interrogation & Confessions. She will not stop if the subject refuses to speak. She will not stop if the subject requests a lawyer. She will not stop until the subject has admitted his guilt and fully confessed, no matter have many tools (clamps, needles, prods, canes, straps, etc.) are needed to get the confession out.

Below are images of worm, Lady Lydia’s dungeon slut, being forced to confess more than he ever imagined.